Welcome to the Winter Issue of Millionair Magazine, a shining source of inspiration. This edition signifies an essential milestone in our journey as we celebrate six years of Millionair's transformation from a simple publication into a movement that surpasses traditional limits. Since its inception in 2018, driven by a passionate desire to spread positivity and unity, Millionair has been championing sustainability, kindness, and the beauty of our rich and diverse existence.
Winter 2024-25 Eco-luxury meets sustainability & beyond Mi LL i ONAIR ®
The BIG Winter edit
Inspiring
Kidd
CONTENTS
p16 Tea & Tiara’s JULIET HERD
p22 p28 p36
Claridge's Christmas PAUL SMITH
Joyful Jewels KIA SCHWANINGER
A Love Affair SAMANTHA SUI p46 Pesonal Luxuries with MARCELLA p66 ATELIER EXC
Cover credits
Front Cover Photographer Fenton Bailey @fentonbaileyphotography Fashion and Jewellery director-Production Marcella Martinelli @marcellastylist Makeup Ruby Hammer @rubyhammer using Ruby Hammer beauty Hair Tim Crespin at Arlington Artists Nails by Binh at Caren using Essie Photo assistant Malak Kabbani @mgkab Back cover Fashion & Jewellery Director Marcella Martinelli @marcellastylist Photographer Turi Løvik Kirknes www.turilovikkirknes.com Makeup Mario Brooksbank using 111Skin, The Ordinary, NARS, YSL @mariobrooksbank.makeup
Hair Sharon Robinson using hair by Sam McKnight Model: Sophia Roberts at Models 1 www.models1.co.uk
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p80 CHANEL CRUISE 2024/25 p88 p110 p127 REFINED EDGE SHOOT Cover Shoot JODIE KIDD CONTENTS ATELIER VM p138 Festive Gifts RUBY HAMMER p191 THE DEVIL WEARS PRADA p180 Practical Gift Guide CHLOE BEENEY
p212 THE MILLIONAIR DIRECTORY And much more...
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EDITOR’S NOTE
This edition signifies an essential milestone in our journey as we celebrate six years of Millionair's transformation from a simple publication into a movement that surpasses traditional limits. Since its inception in 2018, driven by a passionate desire to spread positivity and unity, Millionair has been championing sustainability, kindness, and the beauty of our rich and diverse existence. As winter envelops us in its shimmering embrace and we welcome a new year brimming with hope and endless possibilities, may this season bring forth joyous celebrations, meaningful connections, and an overflow of love in all its manifestations. Regardless of our differences, we want to emphasise to our readers that our strength lies in unity. We are inherently intertwined in uplifting one another, practising kindness, and nurturing a genuine love for our planet. The talented Fenton Bailey beautifully captures this concept on this issue’s cover, featuring the Iconic Jodie Kidd. We thoroughly enjoyed learning about her inspiring journey—from purchasing her own pub and modelling career to establishing her skincare brand, Skin and Tonic, and finding inner peace. Jodie’s winding path through life is motivational and a reminder that exploring new horizons is never too late. W elcome to the Winter Issue of Millionair Magazine, a shining source of inspiration.
Melanie & Marcella Join us in celebrating the enchanting beauty of Winter as we uncover the stories and individuals that make this season so captivating. Discover our distinct watch feature and My Personal Luxury, which showcase the finest selections in fashion, beauty, and beyond. Juliet Herd takes us into the intriguing world of Kia Schwaninger, whose innovative jewellery brand creates a unique niche in the industry. We also had a delightful time reconnecting with beauty expert Ruby Hammer, who presents her Festive Gift Guide for the entire family. This issue proudly highlights the exceptional work of photographer Turi Lovik Kirknes, who beautifully captured our stunning back cover and explored ‘Up Close and Personal’ featuring exquisite jewellery pieces. Enjoy the journey!
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WIN TER
‘’Surely everyone is aware of the divine pleasures which attend a wintry fireside; candles at four o'clock, warm hearthrugs, tea, a fair tea-maker, shutters closed, curtains flowing in ample draperies to the floor, whilst the wind and rain are raging audibly without.” ― Thomas De Quincey
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MELANIE BURNETT Founder, Editor in Chief, Designer, Publisher, Art and Beauty Contributor moaglobal@icloud.com MARCELLA MARTINELLI Creative Editor & Jewellery/Fashion /Watches director marcella.stylist@gmail.com ONAIR ® Mi LL i
RUBY HAMMER MBE Beauty Editor rubyhammer@mac.com
JULIET HERD Contributing Editor herdjuliet@gmail.com
RAF RODRIGUES Fashion Sustainability and Lifestyle Correspondent @raf_rodriguesbr
Contributors FENTON BAILEY JOHN ROWLEY LISA VALENCIA FREDERIC PINET TURI LØVIK KIRKNES CHLOE BEENEY MATT HIND
OLIVIA OWEN DAVINA CATT
ADVERTISING hello@moamagazine.co.uk
SOCIAL Twitter @millionair_mag Instagram @millionair_mag Facebook @millionairglobal
Media Kit is available upon request.
SEND NEWS RELEASES AND STORY IDEAS hello@moamagazine.co.uk
ABOUT The quarterly online magazine with a conscience highlights exceptional individuals, delves into eco-luxury and sustainability, examines the latest beauty, fashion, and travel trends, and explores the depths of art and culture.. MILLIONAIR.™ All content is copyright to MILLIONAIR™ Magazine. Any reproduction of any part of MILLIONAIR ™ Magazine is strictly forbidden unless with prior permission. MILLIONAIR™ Magazine is published by ISSUU; any views expressed in any articles or interviews are those of the individuals of MILLIONAIR™ Magazine.
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HANDCRAFTED BLENDS OF PURE ESSENTIAL OILS
GIFT GUIDE
SUZANNE KALAN WHITE GOLD AND DIAMOND CLASSIC THREE-ROW CUFF
The art of gifting ART
Simply adding sequins will not fulfil this seasons festive desire. To elevate a look, incorporate fringing, gilded embroidery, and charming details.
CAROLINA HERRERA GOOD GIRL LIP GLOSS
HARRODS EMBROIDERED RIBBON
SÉFR TASSEL-EMBROIDERED MUI SHIRT
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ALICE VAN CAL THE JOURNEY DIAMOND AND RAINBOW RING
TATEOSSIAN WHITE GOLD AND PLATINUM DRUSY AGATE CUFFLINKS
RENÉ CAOVILLA SATIN CHANDELIER HEELED SANDALS 105
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It doesn’t get more quintessentially British than a chauffeur-driven visit to the Crown Jewels, followed by afternoon tea and a gemmology masterclass at heritage jewellers Garrard. When you book in at The Peninsula London, this is just one of the unforgettable experiences on offer. Words by Juliet Herd Tea Tiaras &
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G liding through the streets of London in a Rolls-Royce Phantom, the first thing you notice is the silence. Almost no outside noise penetrates the triple-glazed windows of our luxury wheels.
We’re headed to the Tower of London to see the Crown Jewels, and what better way to travel than in such decadent - dare we say it - regal style? It’s all part of a Peninsula Academy programme created by The Peninsula London to offer guests unforgettable cultural, historical and creative experiences during their stay. Our excursion couldn’t be more quintessentially British: a special Crown Jewels guided tour, followed by afternoon tea and a private gemmology masterclass at the opulent hotel’s in-house Garrard boutique. Assembling in the cobbled courtyard of The Peninsula, we jump in a chauffeur- driven “Peninsula Green” Rolls-Royce, part of a fleet of 13 customised vehicles at guests’ disposal. On arrival at the Tower, we’re greeted by an Historic Royal Palaces guide, who ushers us past the queues and into the dimly lit Jewel House, where some of the world’s most famous gems are on display. It’s like entering an Aladdin’s Cave, filled with such celebrated pieces as the legendary Koh-i-Noor diamond, set in the crown worn by the late Queen Mother, and the Black Prince’s Ruby, nestled in the Imperial State Crown.
The room’s relative darkness only serves to enhance the natural sparkle of these extraordinary jewels, guarded in the historic fortress since 1661 and part of a unique working collection of royal regalia still regularly used by the monarch for ceremonies such as the State Opening of Parliament. At the heart of the collection are the coronation regalia, the sacred objects used during the coronation ceremony, denoting the powers and responsibilities of the monarch. It’s quite something to see up-close the Sovereign’s Sceptre with Cross, which contains the world’s largest colourless cut diamond, the Sovereign’s Orb and the Coronation Spoon – all most recently used at the 2023 Coronation of King Charles III and Queen Camilla. Our guide points out the Imperial State Crown and Queen Mary’s Crown, originally made by Garrard, the Royal Family’s first Crown Jeweller, in 1911, and subsequently modified for Queen Camilla.
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Reunited with our waiting drivers, we are whisked back to The Peninsula for the second part of our immersive itinerary, kicking off with the hotel’s signature champagne afternoon tea at the stylish Garrard boutique. One of the highlights is being shown archival replicas of three royal tiaras, including the Lovers Knot Tiara, worn by both Princess Diana and Catherine, Princess of Wales. We learn that the pretty Fringe Tiara, donned by the late Queen for her wedding in 1947 to Prince Philip, snapped in two while being fitted by her hairdresser on the morning of the big day itself. At the Queen’s insistence, the tiara was rushed – with a police escort, no less – to the Garrard workshop, where it was repaired and returned to the palace within two hours. The tiara was most recently worn by Princess Beatrice at her wedding in 2020.
During our class with master gemmologist Sarah Radcliffe, we are shown how to use a small magnifying glass known as a “loupe”, which she describes as her profession’s “best friend”, and which is used to examine gemstones for fractures, inclusions and colour variations. The study of inclusions, she tells us, is “one of the most thrilling aspects” of learning gemmology because of how it can reveal the origin of a stone, both geographically and geologically. “Natural imperfections or inclusions are like the fingerprint of the gem, telling the story of how it formed deep within the earth,” explains Sarah. “The types of inclusions found in gemstones, whether they’re ‘whisps’ or ‘feathers’ in diamonds or distinctive shapes like ‘water lilies’ in peridots and ‘horse tails’ in demantoid garnets, can offer valuable clues about the stone’s origins.”
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Sapphires are synonymous with Garrard, continues Sarah, who adds that they have featured in some of the British heritage jeweller’s most notable creations over its 290-year history, including Princess Diana’s famous sapphire cluster engagement ring and a sapphire cluster brooch that Prince Albert commissioned for Queen Victoria to wear on their wedding day. It was in 1843 that Queen Victoria appointed Garrard as the first ever official Crown Jewellers, a position the house held until 2007, responsible for creating many of the Royal Family’s most significant jewels during that tenure. It still holds a Royal Warrant from King Charles, bequeathed while he was Prince of Wales. “Every stone has the potential to surprise. There’s an indescribable joy in discovering the unique qualities of a gemstone, whether it’s an inclusion or an unexpected burst of natural colour,” enthuses Sarah, concluding our memorable private session. Other Peninsula Academy curated experiences include a Children’s Adventure Quest in partnership with Sharky and George, an automotive experience in conjunction with Brooklands Museum, and a rare opportunity to sit for Royal portraitist Ralph Heimans. As we examine a range of glittering gemstones with our loupes, the gemmologist reveals how tanzanite and sapphire are often confused because they are both blue. “To the untrained eye, they can look similar, especially when viewed under certain lighting conditions,” she says. “However, they are distinct in terms of their composition, colour and origins. Sapphires come in a range of colours - every colour of the rainbow in fact - but the classic and most recognized variety is blue. Tanzanite, on the other hand, is known for its unique blue-violet hue. It’s also pleochroic, while sapphires are not, which means it can show different colours – blue, violet and purple - depending on the angle of light.”
The Crown Jewels and Gemmology Academy, available for a maximum of three per session at £605 per person. peninsula.com
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Paul Smith's Christmas tree at Claridge's offers a whimsical touch of 'countryside in the heart of London.'
As anyone who’s ever deliberated over the placement of an ornament will tell you, decorating a Christmas tree is very much an act of self-expression. Perhaps you favour a maximalist approach, loading up creaking branches with as much tinsel and fairy lights as they can possibly stand (Christmas is, after all, a time when a certain amount of good taste goes out the window). For others, decorating a tree is about restraint and the meticulous spacing of baubles. Whether you think carefully about your colour scheme before you start, or just throw things on with wild abandon, it’s fair to say that how a person decorates their tree reveals something about them.
With this in mind, it seems only natural to begin to wonder, how would the most expressive people express themselves in tree form? It’s a question Claridge’s have been asking – and answering – over the course of the last 15 years. Each Christmas, the historic Mayfair hotel invites a different designer to create a spectacular tree for their grand foyer. It’s become a much-loved and eagerly anticipated tradition, drawing in flocks of visitors each season who rush to see the new tree. And this year, it’s Paul’s turn.
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Paul has long had a personal connection to Claridge’s, often enjoying his Christmas lunch there, so when the call came through, he jumped at the chance. Along with his team, he has created a tree which reflects the eclectic, whimsical sensibility for which he’s best known. The branches of the 20ft tree – which was unveiled on 20th November – are filled with 100 specially made birdhouses, as well as mechanical contraptions built by artist Nik Ramage. Around the base of the tree is a gathering of ‘off-cut’ creatures – curious critters made from scrap wood by Hackney-based Studiomama.
paulsmith.com Watch the short film below, behind the scenes of the process, following it all the way from initial concept meetings to the final install
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Bringing People & Brands Together
See more of Helen Kaminski on page 102
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JEWELLERY
Kia Schwaninger is the high jewellery designer creating exceptional customisable pieces you’ll want to tell your friends about - but then again, with such accessible price points, you may prefer to keep her name to yourself… Whisper the name ‘Kia Schwaninger’ selectively to your friends. She is the seasoned high jewellery designer creating customisable pieces that come with a pleasingly accessible price tag. Joyful Jewels
Words by: Juliet Herd
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New York-based, Swiss-raised Kia has been on the smart set’s radar across the Pond for some time, designing one-off works of art for both friends and a loyal band of word-of-mouth clients. And now, under the brand name Kia Schwan, she’s produced her first collection, Colorhythms, a joyful and deeply personal celebration of some of her favourite influences and places, from Art Deco architecture to an old- world sweet shop. The beauty of these exuberant pieces, handmade in New York City’s high jewellery workshops, is that they can be modified to create the perfect colour combination of gemstones and precious metals for each client. The collection comprises the Disc suite of pendants, brooches, earrings, collar necklaces and rings, which work with arcs of saturated ice-cream-coloured stones to create geometric shapes that recall Bauhaus furniture and Art Deco storefronts. There are also the Abacus rings, available in two sizes, featuring stacks of “juicy” stone lozenges encased in precious metal, set with diamond accents.
The collection comprises the Disc suite of pendants, brooches, earrings, collar necklaces and rings, which work with arcs of saturated ice-cream-coloured stones to create geometric shapes that recall Bauhaus furniture and Art Deco storefronts. There are also the Abacus rings, available in two sizes, featuring stacks of “juicy” stone lozenges encased in precious metal, set with diamond accents. While Kia has crafted such eye-catching Abacus combinations as carved chrysoprase, turquoise and malachite, paired with yellow sapphire cabochons and diamonds, and carved carnelian and tiger’s eye, paired with yellow sapphire cabochons and diamonds, the colour possibilities are endless. “Clients come up with colourways I’ve never thought of, to match their personalities,” says the designer, who is talking to us on a flying visit to London to launch her debut collection. Low key and instantly likeable, she shows us her own ring, a deliciously tactile confection combining malachite, yellow sapphire cabochon and lapis lazuli. “I like to see how the stones interact with each other; they really need to make each other sing. Often, I put stones together but [realise] they don’t enhance each other.” “Even after having worked with some of the world’s most renowned stones, I find a semi-translucent, juicy, lavender- coloured carved chalcedony just as alluring as a flawless diamond,” she continues. “I’m also simply in love with colour, from bright blue turquoise to fiery red spinel to a deep green malachite. In general, my pieces are happy colours and combinations.”
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“I like to see how the stones interact with each other; they really need to make each other sing. My pieces are happy
colours and combinations.”
Kia’s credentials are second to none. After graduating in jewellery design at the prestigious Rhode Island School of Design, she secured an apprenticeship at Tiffany & Co. in New York before winning a place at Richemont’s Creative Academy in Milan. This then led to an internship in Paris with Van Cleef & Arpels followed by a job there as junior designer. After three years, she was transferred to New York, where she led the brand’s customisation team, before moving in 2016 to Harry Winston as design director, overseeing the development of new high jewellery collections. “I learned a lot and was in charge of the design team for three-and-a-half years, but I was missing hands-on designing because I had no time; it was more directing,” she reflects. It was the covid pandemic that propelled her to set up on her own. “I’d had my first son in 2019 and then the pandemic hit, and it felt like time for a change. I missed designing,” says Kia, who has two sons Arlo, five, and Cosmo, nearly three, with her Swiss businessman husband Michael. “I started making bead necklaces as a child and had talked about doing my own jewellery brand for ever - for about 20 years. It was always at the back of my mind, but [covid] gave me the final push to give it a try.” In-between creating bespoke pieces for private clients, Kia, who does all her own drawings, started work on her debut collection, determined that customisation remained at the heart of it. “My whole career, I loved that aspect of jewellery, that you can create something that is unique to the person. I also love the fact that these pieces are not just something you buy off the shelf. They take a little more time and thought.” Her influences are as varied as they are surprising. Born in New Orleans where her orthodontist father was a university lecturer, she recalls being captivated by colourful jazz posters in the family home. Although the family relocated to their native Lucerne in Switzerland when she was three, they returned each summer to the vibrant American city, an experience which left an indelible mark on this fledgling creative spirit.
“I loved that you can create something that is unique to the person. I spend hours on these pieces, so it’s lovely to have them recognised and loved.”
Another key influence is the work of French artist Robert Delaunay, who, together with his wife Sonia, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes. “There is this very famous Robert Delaunay painting [Rhythm No.3] I saw in Paris at the Musee d’art Moderne, that has stuck with me,” explains Kia, whose collection was inspired by the rhythm and movement of Delaunay’s exploration of colour. An iconic pastel-pink pastry shop, Angelo Brocato, in New Orleans is another influence as is Miami’s famous Art Deco district. “Art Deco was always one of my favourite eras of jewellery,” she says. “I love the twist of pastel tones that come to play in stones.”
While the high level of craftsmanship and meticulous attention to detail rightfully put Kia Schwan pieces in the “realm of high jewellery”, the price points are not in the same bracket, which will come as welcome news to fans of the brand. With the Abacus rings starting at £6000, the collection is “a little more accessible”, as Kia says. “I see a lot of jewellery that’s often not well crafted in terms of my price range, so I hope to attract customers looking for something personal and interesting.” So, who is her client? “Most of the time it is women buying for themselves,” she reveals. “They are mainly in their 40s buying a gift for themselves: sometimes for a big birthday or if they’re having a baby, or just for the fun of it.”
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“I’ve also redesigned some engagement rings [in the case] of divorce,” she adds wryly. One of the most satisfying aspects of her job is reinterpreting heirloom pieces for customers and creating a “narrative arc” that will connect one generation with the next. She tells of how she recently repurposed a broken vintage jade bangle for two daughters after their mother died, working with a stonecutter to add the mother’s garnet birth stone to create two new bangles in jade, garnet and diamonds, set in 18k palladium white gold. “I feel very proud when I see someone wearing [one of her pieces],” she says. “It feels very special. The client who ordered this jade and garnet bangle wears it every day now. “The stonecutter called me a magician, [because] out of something really sad, I created a moment; something that makes her really happy. She wears a lot more green now and has adjusted her wardrobe to her bangle. I spend hours on these pieces, so it’s lovely to have them recognised and loved.”
While she plans to add new pieces to the Colorhythms collection, including more earrings and a new line of men’s rings, she’s intent on creating one-of-a- kind pieces using gemstones that have been sitting in her jewellery box for some time. “My great uncle was a radiologist and loved travelling, and he gifted me a lot of stones from the 1970s: lovely aquamarines, large sapphires, great for making pendants, and some lab-grown alexandrites,” she reveals, smiling. “It’s a lovely treasure trove to come across, and the next step is to work on those.” She admits that she finds the logistics of running a new business challenging at times. “I love it but it’s a lot of work as it’s only me,” she laughs. “For a while, I did all the sales and shipping - things as a designer you didn’t necessarily have to learn before. “Designers love to have a
quiet and creative space, whereas this is quite the opposite and means getting out of my comfort zone.” Although she’s aware she will need more assistance as her business expands, she is determined to let it grow organically. “I like the pace we are growing,” she says simply. “I still love the personal contact with all my clients and walking them through the process of customising a piece. That is very important to me, and I feel if I grow a lot, I will lose that. kiaschwan.com
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Corduene Burgundy
Offering double-eyed chronographs with matte dial finishes, the Corduene Collection exudes a smart and sporty impression. The Resistance motif is celebratedin this special limited collection, symbolising strength and resilience.
JEWELLERY
A LOVE affair Samantha Siu A New York-based jeweller who seeks to inspire adventure and enchantment through her exquisite pieces. Her brand is dedicated to maintaining social and ethical responsibility in its practices.
Interview by Melanie Burnett
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Samantha Siu is deeply committed to protecting and nurturing a better world for future generations. We had the privilege of speaking with Samantha following the launch of her exclusive ‘Bespoke’ SS25 campaign, where each piece narrates a love story as distinct as your own.
Congratulations on the stunning launch of your new "Bespoke" collection, which showcases necklaces, bracelets, and earrings that we love at Millionair. What inspired you to create this campaign? Thank you so much! The Bespoke campaign is an extension of our A Love Affair collection, which began with necklaces and has now grown to include earrings and bracelets. The idea behind Bespoke is all about personal expression and versatility. We wanted to showcase how our jewellery can be worn in ways that reflect each individual's unique style. Whether layering, stacking, or even transforming bracelets into necklaces, the campaign celebrates creativity. With the rise of maximalism in fashion, we saw an opportunity to push the boundaries of how jewellery can be styled—encouraging people to be bold, mix metals, and embrace their own statement pieces.
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Every piece is crafted to be versatile, allowing for various styling options that reflect individual flair. Is this influenced by your approach to wearing jewellery? Absolutely! I believe jewellery should be as dynamic as the person wearing it. In my own life, I gravitate towards pieces that can be worn in multiple ways and fit different occasions or moods. This versatility allows for more creativity in styling and gives the wearer the freedom to express themselves in a new way every time. Our multi-wear pieces, for example, can be reversed or layered and adjusted, offering different looks with just one piece. I want our jewellery to feel integral to someone’s personal style, not just an accessory. Where does your design inspiration come from, and How long does it take to create a piece of Samantha Siu jewellery? My design inspiration often comes from my travels and experiences exploring different cultures and histories. Once I have the concept, I move to sketching and wax carving, which allows me to translate the idea into a tangible form. We cast the piece and select the perfect stones, working closely with our artisans. Each piece can take several months to create because we’re meticulous about the details and craftsmanship—it’s all about quality and ensuring every piece is truly special.
“Sustainable luxury lies at the heart of what Samantha Siu New York embodies. Our jewellery line is crafted throughout the design process and purchasing journey with our customers in mind, aiming to create a positive impact. Each jewellery piece is designed for versatile wear, helping to reduce our purchasing footprint while supporting our brand's commitment to sustainability.”
What is the most challenging aspect of running your business?
One of the biggest challenges is balancing the artistry and craftsmanship that are at the heart of our brand with the demands of running a business in today’s fast-paced world.
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We’re committed to taking our time to create sustainable, high-quality jewellery, which can be at odds with the market's growing desire for instant gratification. We must stay true to our values while evolving to meet modern consumers' needs. Our multi-wear, sustainable pieces help bridge that gap.
What’s been the most significant point in your career so far?
Launching my company and its sister nonprofit, the Phoenix International Foundation, has been one of the most significant moments in my career. Through the foundation, we donate 10% of our profits, allowing us to combine our love for jewellery with philanthropy meaningfully. Knowing that our jewellery brings joy to our customers, helps provide medical care for children, and supports animal conservation has made the journey even more rewarding and purposeful. Your handcrafted jewellery goes beyond mere fashion; each piece is a unique and individual work of art. How crucial is offering a platform for the artisans you collaborate with? It’s essential. The artisans we work with, especially in Thailand, bring a rich history and craftsmanship. Their skill and attention to detail are integral to every piece we create. By giving them a platform, we’re not only honouring their artistry but also helping preserve these traditional techniques passed down for generations. It’s all about creating a dialogue between tradition and modernity, and I’m proud that our brand can spotlight the talented people behind the scenes.
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Your philosophy prioritises quality over quantity, placing sustainability at the core of your operations. How do you uphold the brand's ethical values?
Sustainability is one of the pillars of Samantha Siu New York. We focus on crafting timeless pieces that last a lifetime, encouraging mindful consumption rather than fast fashion. From sourcing ethically mined materials to collaborating with artisans who practice slow, deliberate craftsmanship, every step of our process is geared towards reducing waste and creating jewellery that can be worn in different ways for years to come.
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‘’This new collection embodies the essence of Samantha Siu New York, focusing on versatility and celebrating the art of maximalism. Each piece is designed to be worn in multiple ways, offering a unique expression of personal style.’’
We also ensure that our pieces are versatile and size-inclusive, so our customers can wear them in multiple ways, further extending the life of each design.
Your passion for jewellery design started in childhood while working with your family. What essential life and business lessons did you learn from that experience, and how have you incorporated them into your business? Growing up in my family’s jewellery business taught me the value of hard work and perseverance. I learned that the best designs come from a place of passion, not just profit. I also gained an appreciation for teamwork and collaboration, which is something I’ve brought into Samantha Siu New York. Our brand operates like a family —we lean on each other, push each other creatively, and are all invested in the success of the business. It’s about building something meaningful together.
Which pieces should everyone have in their wardrobe?
One piece everyone should have in their wardrobe is our new bracelet collection. These bracelets are designed with versatility in mind—each piece is adjustable, making them size-inclusive and comfortable for everyone. What’s even more exciting is that if you purchase multiple bracelets, they can be connected together to create a statement necklace. We've even seen customers get creative and wear them as belts! The possibilities are truly endless, allowing you to express your unique style in so many ways.
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I s there a particular piece in your jewellery collection that you cherish profoundly and holds a special place in your heart? Yes, the Rising Phoenix Necklace holds a special place in my heart. It’s the first piece in the ‘A Love Affair’ collection, inspired by my travels with my first love. The symbolism behind the phoenix—representing both female strength in Asian cultures and rebirth in Western cultures—captures the intersection of my heritage and the essence of the Samantha Siu brand. Like the rest of the collection, I love that this necklace is reversible, offering different ways to wear it. It’s not just a piece of jewellery; it’s a story of transformation, love, and cultural connection. The aquamarine stone is also significant, as it’s my birthstone, making it even more personal. With the launch of your 'Bespoke' line now underway, what are your professional, personal, and philanthropic goals for 2025? For 2025, I want to continue growing as a designer and entrepreneur, always open to new experiences and inspirations. Philanthropically, we aim to increase our contributions to causes we believe in, especially education and conservation. We want to continue to use our platform to make a positive impact on both our community and the world. Thank you to Samantha for chatting with us at Millionair; we look forward to treating ourselves this holiday season with some of your stunning jewellery pieces. Thank you so much! It was a pleasure speaking with you, and I hope your readers enjoy exploring our collection this holiday season!
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Makeup Fanny Burgos Photographer Travis Matthews and Marian Alonso
ACCSESSORIES
Alexander McQueen knuckle bag
Personal Luxuries
Our luxury editor, Marcella Martinelli, is excited to present the most coveted fashion and accessory selections for this winter. A thoughtfully curated collection is all you need to achieve that ideal style refresh, showcasing the essential must- haves for your wardrobe.
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Victoria Beckham red silk shirt Vivian boots Cornelia James gloves Dior dress
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EviDens All in one cleanser Van Cleef & Arpels Gold Ruby and Diamond Brooch Santa Maria Novella Quercia
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Asprey Pochette bag Dolce & Gabbana Devotion bag Paul Smith Women's Leather Signature Stripe 'Baylis' Boots
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Stella McCartney Faux Suede boots PRADA Hair Bow Dior Punk Flat ballerina
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Chopard Heart Necklace My Dior Bracelet Vacheron Constatin Mé tiers d'Art The Legend of the Chinese Zodiac, Snake Hannah Martin Liquid Harness Chain
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Ralph Lauren red small Farrah Satchel Bella Freud frill shirt satin ivory and black lulu Guiness Lulu red bay compact mirror
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A Designer Shaped by Culture, Music , and Craft Hannah Martin
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Hannah Martin’s jewellery is deeply rooted in her insatiable appetite for experience. She draws inspiration from the charged atmosphere of live music venues and the youth culture that thrives within them. Her work captures emotions of elation, awe, restraint, and revelation and translates them into wearable art. Her designs are renowned for their fluid, sculptural forms , defying traditional gender norms. Each piece is imbued with raw emotion and unapologetic energy, creating a style that is at once rebellious and refined.
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The distinctive allure of Hannah Martin’s aesthetic has garnered high-profile collaborations and commissions. She has created complete fine and high jewellery collections for Louis Vuitton and Chaumet a nd a fine jewellery collection for Francesca Amfitheatrof. On the fashion front, she has designed catwalk jewellery for luxury brands such as Martine Rose (SS19), Edward Crutchley (AW17), and Hussein Chalayan (AW12 & SS13). Her creative ventures extend beyond jewellery . Her projects include bespoke cocktail sets for Grey Goose Vodka, hand-blown glass hip flasks for Hendrick’s Gin, and medals for the London Design Festival. Hannah Martin’s signature collections— Vincent, Aguila Dorada, and It’s Only Rock ‘n’ Roll—have cemented her status as a trailblazer in contemporary jewellery design. Her pieces are sought after by musicians, authors, and designers and have been treasured by luminaries such as Madonna, Daisy Lowe, Rihanna, Joanna Trollope, Cara Delevingne, Erin O'Connor, Zaha Hadid, Morrissey, and Olivier Rousteing.
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hannahmartinlondon.com Available worldwide, Hannah Martin jewellery is celebrated for its ability to blend artistry with emotion . It offers timeless creations that resonate with individuality and passion. ONAIR Mi LL i
Make a Wish Graff has unveiled the latest edition of its festive ‘I Wish’ campaign, a breathtaking tribute to rarity and beauty. Set against an opulent holiday celebration backdrop, the campaign invites an escape into a world of unmatched luxury and brilliance adorned with the most extraordinary jewels on earth.
True to Graff’s unmistakable glamour, the jewel lery creations transcend the ordinary, embracing the exceptional. Each piece radiates the unique splendour and elegance for which the House is known. ‘I Wish’ showcases the finest treasures of incomparable beauty: spectacular high jewel lery designs, striking solitaire rings, and iconic diamond collection pieces. Expertly crafted over hundreds of hours by Graff’s master artisans, these jewels highlight the House’s unparalleled expertise in sourcing, cutting, polishing, and setting the world’s rarest stones . This legacy has spanned more than 60 years. Among the standout pieces is a remarkable Fancy Intense Yellow oval diamond ring surrounded by a white diamond halo, which captures the bold vision and creative daring that define Graff. Other exceptional creations include a striking bracelet featuring a central 6-carat kite-shaped Colombian emerald set within a row of baguette-cut emeralds and extraordinary earrings set with two matching 25-carat Fancy Intense Yellow diamonds that appear to float effortlessly, radiating light with every movement. photo s by Nicolas Kantor
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Minute
STOP FOR A
G-Timeless Planetarium
The G-Timeless Planetarium stands out for its distinctive and inimitable 12 rotating precious stones that encircle a central tourbillon in a rich rainbow of colour and light. A special start- and-stop function activates the stones to spin on themselves in 9 seconds and clockwise around the dial in 90 seconds.
G-Timeless Planetarium 40 mm 18kt white gold case, dial with a central Tourbillon with a flower diamonds set as decoration, surrounded by 12 rotating multicolour gemstones, black alligator strap – POR
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A chromatic explosion now enters the collection: fiery tones of opals and garnets and sunny yellow beryls give way to verdant peridot and tourmaline, as tranquil hues of topaz and tanzanite are rounded out by lustrous amethysts and fancy pink rubellites. The stones’ vibrant charm is further enhanced by a textured guilloché base that reflect the stones’ beauty and light. The center tourbillon is crafted in a diamond-set flower motif, a design that’s echoed on the caseback. Sized at 40mm, the watch comes in either white or pink gold, accented by contrasting blue or subtle golden accents.
G-Timeless Planetarium 40 mm 18kt pink gold case, dial with a central Tourbillon with a flower diamonds set as decoration, surrounded by 12 rotating multicolor gemstones, brown alligator strap – POR
gucci.com
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ATELIER EXC A decade of excellence in fashion
WORDS BY RAF RODRIGUES @RAF_RODRIGUESBR PHOTOS: COURTESY ATELIER EXC @ATELIER_EXC
s
ince its inception in 2016, Atelier ExC has redefined modern luxury in the fashion world. Born out of a vision to blend artistry with innovation, the brand quickly gained recognition for its meticulous craftsmanship and unique designs. Over nearly a decade, Atelier ExC has transformed into a symbol of sophistication, captivating global audiences with collections that seamlessly marry tradition and contemporary aesthetics. The house has become a favorite among the world’s elite, dressing renowned celebrities, influencers, and royalty. From Rose Bertram to Jaimy Vaes, Sylvie Meis, Sarah Puttemans, Vera and Elsa Luijendijk, Nisrine Belhaj, and even Her Royal Highness Princess Delphine, Atelier ExC has cemented its place on the global stage as the epitome of elegance and style. As 10-year anniversary, Ebru Sari creative director of Atelier ExC reflects on a journey marked by bold creativity and an unwavering commitment to it approaches its sustainability and inclusivity. The milestone promises to celebrate not only its illustrious history but also the innovative future it continues to craft , solidifying its legacy as a powerhouse in the fashion realm.
Your journey with Atelier ExC is inspiring. What sparked your entrepreneurial path and led you to create this remarkable brand? I grew up surrounded by fabric and fashion, my mother is a couture designer, my father and brother sell men’s suits, my grandfather deals in fabrics, and my aunt is a seamstress. From a young age, fashion intrigued me not as a practical choice but as an art form. A childhood photo of me and my brother dressing up in my mother’s real clothes rather than costumes hints at how early this passion began. My stylish mother greatly influenced me, and working in her boutique as a child further honed my interest. Though I excelled in drawing and learning, I initially pursued architecture at KU Leuven (Sint-Lucas) after finishing Humaniora at Sint-Bavo in Ghent, Belgium. However, while architecture was interesting, it didn’t fulfill me. After completing a bachelor’s degree and starting my master’s, I realized I was unhappy and decided to follow my heart into fashion styling, a decision I’ve never regretted. In 2016, I launched my own label, Atelier ExC (Ebru X Cagdas), honoring my husband, who has been my biggest supporter. By 2018, ExC Fashion House was established after much hard work. Starting was the hardest part, but I learned the importance of taking that first step, embracing challenges, and sharing ideas with others for feedback and fresh perspectives.
Ebru Sari
ATELIER EXC’S CREATIVE DIRECTOR EBRU SARI
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Your designs exude confidence and individuality. How do your experiences shape creations that empower women?
Working in the fashion industry ensures that no day is ever the same and that time moves quickly. Inspiration comes from different areas however we find imagining our muses' different moods and evolving personality helps us creatively. If I have to explain my creations in 3 words : ‘Mature’, ‘Vivid’, ‘Feminine’. I love simplicity and clean lines, clothes that can be styled up to bring out the personality of each client. The ability for growth is self-knowledge and to never underestimate yourself. A simple but elegant and inspiring message I want to spread into the world. To me, clothing is a form of self-expression, there are hints about who you are in what you wear. Self-confidence is the best outfit, rock it and own it! I always know what I want and how I want it!
What has been your proudest moment or milestone with Atelier EXC so far? How does that achievement continue to inspire you and your team?
Working in fashion ensures no day is the same. Inspiration comes from imagining our muses' moods and personalities, which guides my designs—mature, vivid, and feminine. I value simplicity and clean lines, creating versatile pieces that express individuality. For me, clothing is self-expression, and self-confidence is the best outfit. With hard work and growth, I aim to inspire and evolve as a designer and person. We’ve kept our Belgian market exclusive with select partners while organically expanding abroad, driven by interest from places like Dubai. Despite opportunities, including offers from Italy's Rinascente, we prioritize sustainability and branding over rapid growth. Our no-sales policy reflects our commitment to exclusivity. While growth lies abroad, our solid foundation in Belgium and the Netherlands allows us to expand at our own pace.
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As you look to the future, what’s next for you and Atelier EXC? Are there any upcoming projects or dreams you’re excited to share with the world?
It's fantastic to see your vision resulting in positive results. The design of Atelier ExC has become very recognizable. Creating a signature requires not only time but also repetition to effectively become a signature. It feels very good to know so clearly who and what we are and what our brand stands for. Every day we work with a team to perfect our brand. The bar is high. I continue to challenge myself every season and every day! I want to create an international impact with Atelier ExC. In the future, I want the brand to be sold on every continent. I am someone with big dreams and a lot of ambition. That usually translates into an attitude in which I feel like I haven't experienced my best moment yet. I know when a step is being taken towards my ultimate goal, but I also know that everything is currently the path to it. The goal has not yet been achieved! That is why I find it difficult to be proud of something that I have achieved. Dreams may be there, but they must also be achievable. I'm too down-to-earth a person to have dreams that aren't achievable. I now know, purely numerically but also intuitively, that my dream is achievable.
Millionair invites you to discover more at
atelierexc.com ONAIR Mi LL i
Creating Stories in Every Step
By Raf Rodrigues @Raf_rodriguesbr Photography courtesy of Canella Brand Shoes @canella_brandshoes
MEET DANIELLA PEDRAGLIO: THE PERUVIAN DESIGNER COMBINING HERITAGE AND NEW WAYS TO DESIGN FOR A FUTURE WORTH LIVING.
Daniella Pedraglio, a 29-year-old designer from Peru, is the visionary mind behind Canella Brand Shoes, a company she founded over six years ago with a mission to blend creativity and sustainability. After studying business administration, Daniella embarked on a journey to deepen her expertise with a master’s degree in shoe design at Polimoda in Florence, Italy, where she collaborated with Ferragamo between other renowned maisons. HOW HAS PERUVIAN HERITAGE SHAPED YOUR VISION FOR CANELLA BRAND SHOES, AND HOW DO YOU INCORPORATE IT INTO YOUR DESIGNS AND STORYTELLING? From the beginning, my goal with Canella Brand Shoes has been to celebrate culture and share Peru’s rich history with the world. Each collection is grounded in research, allowing me to create designs that are not just products but meaningful stories. I draw inspiration from Peruvian heritage, its materials, patterns, traditions and bring these to life through unique designs and storytelling. Whether it’s exploring weaving techniques for my upcoming collection or honoring the Chimú culture’s empowering legacy, every detail is a tribute to Peru’s identity, reimagined through contemporary fashion.
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Empowerment is at the core of Canella and who I am. Each piece I design is to make a bold statement, using unique elements like squared heels and custom lasts to ensure every shoe has its own personality. Women are always at the centre of my storytelling, I want every design to celebrate their strength, individuality, and confidence. For me, empowerment also means taking control of your journey, which I’ve embraced as an entrepreneur. With Canella, I aim to inspire women to chase their dreams, be resilient, and own their unique paths, both through our designs and the values we represent. FEMALE EMPOWERMENT IS CENTRAL TO YOUR BRAND'S ETHOS. HOW DO YOUR DESIGNS AND VISION REFLECT THIS?
Daniella Pedraglio wearing one of her Alpaca creations
WHAT IS YOUR FAVORITE DESIGN AND WHAT ARE YOU WEARING OVER THE FESTIVE SEASON?
My favorite designs evolve with the seasons, but a few always leave a lasting impression. For summer, the Sunset heels are a standout. They came to life through an organic process of experimenting directly with laces on the last, resulting in an unexpected, striking design that has become a best-seller. And any pair of heels with sustainable paiche (upcycled fish leather), are true statement pieces that blend style and consciousness. For winter, I’m drawn to the Cumbi loafers. Their custom last and distinctive silhouette perfectly capture the essence of Canella’s identity. Furthermore I’m also especially proud of our alpaca sandals, which feature handwoven Peruvian- inspired patterns, and our latest boots that marry craftsmanship, innovation, and storytelling seamlessly. These designs not only reflect my personal style but also the heart of our brand’s philosophy.
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WHAT WOULD YOU CONSIDER TO BE THE HIGHLIGHT OF YOUR CAREER SO FAR? My most significant achievement to date has been the opportunity to collaborate with Spanish designer Odette Alvarez for Madrid Fashion Week this year. This collaboration has been a pivotal milestone for both me as a designer and for Canella Brand Shoes. Showcasing my designs on the runway allowed me to push the boundaries of my creativity, turning my vision into a global presentation. The entire experience was incredibly rewarding, and it was fulfilling to have someone believe in my work enough to offer me such a remarkable opportunity. The months leading up to the show were intense, as we worked through everything from design to production and the final presentation. However, from our very first meeting, I had a clear vision of what I wanted to convey, and I felt an immediate connection with Odette. Another major accomplishment was partnering with Ferragamo. Presenting my final work to James Ferragamo and receiving his positive feedback was a surreal and humbling moment, one I still cherish. Both of these experiences have not only been deeply gratifying but have also made me incredibly proud of my journey as a designer. WHAT ARE YOUR LONG-TERM GOALS FOR CANELLA BRAND SHOES IN THE GLOBAL LUXURY MARKET, AND HOW DO YOU ENVISION THE BRAND EVOLVING IN 2025? My vision for Canella Brand Shoes is to position it as a luxury brand that not only stands out for its distinctive identity but also for its commitment to sustainability. Every piece we create has meaning, blending exceptional craftsmanship with innovative design. Moving forward, I want to focus on expanding into Europe and the UK, particularly in the Nordic region, while remaining true to our unique, disruptive style.
Sustainability is at the heart of our growth plans. We are dedicated to exploring new, eco-friendly materials and incorporating them into our collections. Alongside this, we aim to expand our line of iconic designs and pursue collaborations with other creatives. This year, our collaboration at Madrid Fashion Week was a huge step, and I see these partnerships as key to shaping Canella's future. In 2025, we plan to strengthen our presence at major international trade shows, starting with Modefabriek in Amsterdam. These opportunities will help us reach a wider global audience and further establish Canella as a leader in contemporary luxury fashion.
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